Miss Eliza's Book Review - Evelyn Waugh's Brideshead Revisited

 

Brideshead Revisited by Evelyn Waugh
Published by: Back Bay Books
Publication Date: 1945
Format: Paperback, 351 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

"If it could only be like this always – always summer, always alone, the fruit always ripe and Aloysius in a good temper." 

Vomiting through a window doesn't seem like the most promising start to a friendship, yet that is how Charles Ryder first meets a rather inebriated Sebastian Flyte. Charles is swept up in Sebastian's wake of luxury, decadence, eccentricities, and alcohol vapors. Throwing off his rather mundane life, Charles is wooed by the world of privilege that Sebastian belongs to. Charles falls not just for this sot with a teddy bear, but for his whole life; the family, the house, everything. Looking back on those halcyon days while mired in the WW II, Charles lovingly thinks of the world that has been lost forever. Yet Charles lost entre into that world earlier then the announcement on the wireless that England is at war. His love affair with the Flytes had soured over the years, moving from Sebastian to his sister Julia, Charles took whatever he could of this family, but it the end, it was something deep in the family that made certain he was never one of them, and never could be.

Before I became an avid reader Brideshead Revisited was one of those books that my father kept saying I had to read. I won't say that it's his favorite book, because the author is Evelyn Waugh and not Sherwood Anderson and the book's title isn't Winesburg Ohio, but Brideshead Revisited is firmly in place as one of his favorite books. Much like this little old lady I met at a Rembrandt show in New York who was insistent on how memorable his work would be when seen in it's original setting (ie Amsterdam), my Dad has the same tenacity and insistence of how the language of Brideshead Revisited would capture me and not let me go. Many conversations with him start "I remember how the language captured me the fist time I read..." insert any of his favorite classic books here, usually Jude the Obscure, but for this instance, Brideshead Revisited. Though, for Brideshead Revisited the refrain is more "when Lord Marchmain comes home to die..." or anything to do with Edward Ryder, Charles's father. Still, despite the copious copies of the book laying about the house, I just didn't pick it up.

When I started to hone myself into the Anglophile that I am today I watched as many miniseries as I could lay my hands to, and Brideshead Revisited finally entered into my life officially in at least one form. At this point my father had already worn out his old VHS copy and for his birthday I had upgraded him to the DVD set which I now watched. Brideshead Revisited is literally THE definition of a miniseries, and it set the standard for what we expect in our miniseries today. Mainly it was the first to be shot entirely on location. I loved all the houses and scenery, and Anthony Andrews, such a perfect actor, as are every other actor save one, I didn't love Jeremy Irons. There's something about Jeremy Irons that bothers me. He has a wonderful voice, but I think his voice has led people to ignore the fact that he seriously can't act. I am 100% anti-Jeremy Irons. So watching the miniseries all I could think was, ok, I've had enough of this for quite awhile now (except the John Gielgud lunch scene, that can NEVER be watched enough), I don't think I'll read the book right now... and so, until this month, I had never realized how right my father was in this instance.

Evelyn Waugh's writing is like a palate cleanser, everything that you read before was lugubrious and everything that you read after is sub par. Brideshead Revisited shows how fast a book that is well written goes. Time disappears, the words just flow, except for the occasional drunken tumble over a word or phrase that is now out of it's time. The lunch between Anthony Blanche and Charles, where Anthony dominates the conversation, felt just as if you were sitting opposite him in that restaurant and were being overwhelmed by his torrent of words and your inability to get a word in edgewise, a sensation that I am sure we have all experienced with certain of our own friends and were vividly reliving while reading this passage. And even while I didn't necessarily like or relate to any of the characters, the language usage is so lush that you can't help but agree with the little quote on the cover that calls the book "[h]eartbreakingly beautiful... The 20th century's finest English novel." To write a story that is so of it's time and so unrelatable to a certain extent, yet to have it forge a connection with me, well that is wondrous writing.

Even if the world of the novel is unrelatable to a certain extent, except in our daydreams, it's the themes of the book we relate to. Waugh wrote this book looking back on a golden age that was gone, destroyed by war and an ever changing world. The Flytes embody this full stop. They lived at the height of decadence but look what happens to them. Their world ends and they are literally a dead end gene pool. Look to the four Flyte children, Brideshead has married a woman too old to bear children, Julia is living apart from her husband and due to her previous miscarriage on top of the fact a reconciliation is unlikely she will never have a child, Cordelia lives as a nun, and well, Sebastian, even if he wasn't homosexual, he's basically living a monastic life now. They are the world that has come to an end, so it is only right that they too have come to an end. This mourning for what is lost and can not be had again, their youth, this golden age, this innocence... the light snuffed out on the bright young things is the spine of this book. The world keeps turning, and while the story of the Flytes is a bit fatalist, we can relate to the loss, because as we age and move on we lose all the time.

Now I do have to address one thing. The Catholic question. Does it really matter? Yes and no. While I do find it ironic that a catholic wrote what might be the most anti-catholic book out there, the religion aspect is more a signifier then an actual physical thing. We are like Charles Ryder, we are on the outside looking in at this world of popery that we don't quite understand, even if some of us were even raised Catholics. But I really think that it's not a question of religion, but more a symbol of something in your life that you don't necessarily want but still you need it and it is all consuming to your detriment. So am I basically saying that Catholicism is a form of addiction like Sebastian's drinking? Now that I think on it, yes I am... Now I'm not saying that it is like this for anyone other then the Flyte's, but their relationship with God is unhealthy and not only brings down their lives but takes away their happiness and fills it with guilt and remorse. It's this dogged insistence that they stick to the old ways that links back into the fact that their time on earth is done. We must adapt in order to survive. At least Waugh was able to give us this loving eulogy to a world now lost.

Brideshead Revisited?

Having lots of Graphic Designers in book club can lead to some interesting things... thanks Mike for this!

Miss Eliza's Book Review - Victoria Finlay's Color: A Natural History of the Palette

 

Color: A Natural History of the Palette by Victoria Finlay
Published by: Random House Trade Paperbacks
Publication Date: January 1st, 2003
Format: Paperback, 448 Pages
Rating: ★★★★
To Buy

Long before our modern world of chemicals dyes, all the hues and colors came from something found in nature. A tangible object, a plant, a bug, somewhere in nature's paintbox there was something that could make our ancestor's lives more richly hued. Victorian Finlay goes around the world in search of these "lost" colors and where they came from. Part travelogue, part memoir, and part history book, this read definitely isn't for everyone with her casual writing style relying on anecdotes and suppositions. This is by no means a perfect book, the author admits so herself. But for me, there was just the right combination of my interests and fields of study that I was sucked in.

I have never been one for history books or non fiction for the most part. I find it dry. Hence my interests lean toward historical fiction. In this medium I thrive. I am able to get the history that I am interested in without the dry discourses. The characters bring a human element that connects me to the subject in a way that I never would otherwise. This has had odd effects in my life, especially in history classes. I would always love the books that told a story. I remember in one class discussing the book King Leopold's Ghost about Africa in the 19th Century. The book was riveting to me, I just really enjoyed it, but during the discussion in class everyone was ripping it apart because it wasn't scholarly enough and made history too accessible. Well, you know what classmates in a class I very quickly dropped, history should be accessible. It's little anecdotes and stories that add a bit of the human factor into history and help me connect like I do with historical fiction.

The history and art history geek in me likes the more living narrative that Finlay infused in her book versus the dull dry facts and figures that she could have presented us with. Sure, this does lead to some problems, mainly invention, speculation, and supposition on her part that might drive those pedants in my history class to tear their hair out. But I read this book knowing that it wasn't a straight up history, though really, is any history cut and dry? This book is her take, her insights, her opinion. While I might disagree with her, I was never not entertained by her and the anecdotes she used to highlight the different colors.

The book has a rocky (pun kind of intended) start with the chapter on ochre and the aboriginals. Finlay seems unable to successfully merge her personal experiences with the historical origins of the ochre medium. It feels as if she almost doesn't know what her own intentions with the book are. Therefore we are left with a muddy mess that made me fear for the rest of the book. Yet in the very next chapter on Black and Brown she finds a natural balance that she is able to maintain through the rest of the book. By taking real people and imagining their hunt for colors that mimic her own, she is able to create a tangible, though fictional, link to the past.

Finlay is telling us stories that bring the materials to life. There is a part of me that wishes that this was a TV Documentary so that I could see all the pictures and places she went to, as this book is lacking on the visual side. But there's another part of me that is glad this is a book. The stories about Turner and his laissez-faire attitude to the permanence of his medium choices making him the Jasper Johns of his age, with his cats and their flap on the door made from one of his paintings would have come across as a bad reenactment in a documentary. And Ruskin's slam against Turner that no pictures of his "is seen in perfection a month after it is painted" is not only humorous, but brings into account something I had never really thought about. Before chemical dyes color would change. There was a flux with it. The color you paint on the wall today will be a different color in a week, a month, a year, who knows, if there's enough arsenic in it it might just kill you.

I think that is what I will take away most from this book. It made me think. I am an artist and designer and with this comes a heritage, one I haven't in a long while thought about. I now want to go out into the world, go to museums, go to artist supply stores, meet Victoria Finlay and tell her to embrace Pantone. I want to go out and explore the paintbox of the world, which, while I find it a cliched and dumb phrase, same as "the world is my canvas," but, you know what they say about cliches? There's something right about them. Now let me see the earliest flight I can get to England to check out that Winsor and Newton museum...

Song Poems

Everyone at today's meeting heartily approves of this!

Miss Eliza's Book Review - Nelson Mandela's Long Walk to Freedom

 

Long Walk to Freedom by Nelson Mandela
Published by: Little, Brown and Company
Publication Date: March 11th, 2008
Format: Kindle, 684 Pages
Rating: ★
To Buy

It is hard to grasp that a little boy who grew up in a tribal setting in South Africa would become the driving force to eliminate apartheid and would subsequently become the president of South Africa, and a man who changed history and shaped the 20th century. Nelson Mandela was fortunate in that he was allowed access by a flawed system to an education, an education that he would then use to dismantle that very system. There is no ambiguity that Mandela and his struggles symbolized freedom to the world and to South Africa. He was a great man. But being a great man doesn't translate to being a great writer. To me, the reason to read is for enjoyment and entertainment, and yes, education. But I like my knowledge presented to me in an engaging fashion. Therefore nonfiction has never been my genre of choice. The fact of the matter is life doesn't necessarily have a narrative. Life has a beginning, a middle, and an end, that is true. But not every life is worth or worthy of a book. Great historical figures, as well as annoying celebrities, are an exception.

Yet to have a biography or autobiography there needs to be more then this beginning, middle, and end. There needs to be insight as to how that time was filled. As a reader I didn't want just a dry telling of the facts, I wanted to know Mandela's feelings. I wanted to know his beliefs, his loves, his despair at spending 27 years of his life incarcerated. His feelings when Winnie went a little crazy, instead of a press release. This is what I desired, and instead I got brief glimpses of his life amid a struggle with no narrative, nothing to grab you and make you feel invested in his journey. Just a dry telling of the facts and figures that would make a statistician cry from sheer boredom. Flat, emotionless writing with so many names and acronyms, I wasn't sure if I could finish the book without loosing my mind.

To be fair, I will say that I was fairly ignorant of what the history in South Africa was, I kind of dropped that African history class in undergrad due to surly students and an indifferent TA that reminded me of Eric Stoltz. I did work on the play "Master Harold"... and the Boys about institutionalized bigotry and racism in Port Elizabeth during apartheid, but I can honestly say I don't remember anything about it other then how long it took me to paint that set. Therefore learning more about this time did hold some fascination for me and also underscored the fact that the world will basically turn a blind eye if you're killing your own people, Pol Pot, Stalin, early Hitler. But the fact that the government was just as bad if not worse then Nazi Germany and that this lasted not just a few decades but for almost an entire century is staggering. The travel bans, the pass books, the government did everything they could to push down the natives. The fact that the government was Boer, aka the Dutch who came and settled in South Africa, who are most known for that lovely Boer War, has made me draw the conclusion that the Boers are Bastards... I think this would make a catchy bumper sticker, don't you? Or Afrikaners suck. Your choice.

This is the world that Mandela grew up in. I liked that we saw his journey and how he questioned things. He thinks like I do in some respects. If he didn't know about something he would go out and find out everything about it before making a decision. He'd read and read and read till he came to his own conclusions. But this was a bit lugubrious to read about his reading. I don't want to be doing battle with my books. Really I don't. I take a certain glee in writing the reviews later... but that doesn't make up for the previous torture the book has inflicted on me. What I wouldn't have given for maybe a little bit about his family, his feelings about not being there for them instead of a day by day breakdown of one of his trials that lasted years, but felt like millennia. While nothing makes up for the life he lost locked behind prison walls, I can definitively say that I felt every single year he was locked away with him. 

With this book there is also a final question to be asked. How much did this book sanitize Mandela's image? The book was rushed to publication for his taking office as president with the help of his co-author, not, in my mind, ghostwriter as some have said, if it was ghostwritten, it would have been actually better written, so therefore, what was tweaked? What was taken out and what was kept in? In fact many people believe that Mandela was chosen as the image for anti-apartheid because his hands we clean. While he advocated the taking up of arms, he himself didn't.

There were little things in the book that disturbed me, such as his having a picture on the wall of the winter palace to commemorate the uprising that killed the Tsar and his family. How could anyone want to hang on their wall a reminder of the death of innocent children? Even if you are a communist, seriously? No. Just no. He also worshipped Castro, which recent articles have said wasn't talked about in the book, I just think they didn't finish the fifty million page opus of dullness, because Mandela clearly states his admiration of him. There are just so many thoughts spinning in my head about using one bad political model to fight another one... I just want to clear my head, get ride of the lugubriousness of this text, wipe away the cobwebs and have a real author come in and write about Mandela. With his passing I want a truly great writer of biographies to come along and do justice for Mandela, and maybe find a little bit of the truth... or at least don't varnish over things like Winnie.

Miss Eliza's Book Review - Wesley Stace's Misfortune

 

Misfortune by Wesley Stace
Published by: Back Bay Books
Publication Date: January 1st, 2005
Format: Paperback, 560 Pages
Rating: ★★
To Buy

A young baby boy is being thrown out with the trash. Unwanted and alone a chance of fate has him picked up by the richest Lord in the land, Lord Loveall. Lord Loveall has been mourning all his life for his dear departed sister and when he sees this baby he assumes it to be female and a chance to have his sister back. But Lord Loveall can't just miraculously have an heir, a quick marriage is arranged with his sister's old governess, Anonyma, who has stayed on as librarian at Love Hall to catalog the works of her icon, the poetess Mary Day. Anonyma agrees to raising "Rose" female because the poetess had some interesting theories on gender and Anonyma sees it as an experiment. For many years they are able to keep up this farce, until one day the world crashes down on them and Rose can no longer hide who he is.

The familial vultures swoop in to claim what they have always lusted after. A scandal would be so unbecoming, so Anonyma withdraws... what does she have now that Rose has fled? Rose left in the night without a trace, unable to face what he is. Through awkward sexual awakenings, near death fever dreams, chance encounters, and a twist that you hopefully won't see coming, Rose embraces the odd life that he has been given in this strange world and the companions in his journey who truly love him.

Misfortune is a Dickensian tale with at LGBTQ mindset. Full of interesting incestuous characters I felt that it never quite lived up to it's full potential due to the shifting narrative that, in the end, opted for a shorter, sleeker, story with annoying time jumps, instead of becoming a book of true Dickensian girth. Now I'm not saying that I wanted every detail on Rose's debauched journey to Turkey, but covering such an expanse of time as a fever dream seemed indulgent of the author. In fact, that might be the crux of my problem, the modern sensibilities thrust into this Victorian age by Stace's whim alienates me from the story. Stace says in an interview in the back of the book that he didn't want to be drawn into the trappings of the time period, a carriage is a carriage, not a barouche, not a gig. By having Misfortune be a modern book set in the past he seems to be wanting to make the book more of a post modern statement piece then a quality read.

By breaking convention he is writing a book that will appeal more to those who have never read Dickens or historical fiction while leaving those of us who love 19th century literature and period pieces cold. Coupled with the fact that he pulls a complete Dickensian HEA that was obvious from page one, his tendency to use some literary tropes and abandon others just goes to show that he was gratifying himself instead of his audience, plus exactly HOW was Rose to inherit... she being a she? Many such little questions bothered me throughout. Though my biggest problem with the book that has nothing to do with Stace might just be a side effect of this lack of interest in the historical details. This problem being that the cover illustration shows clothes incorrect to 1820. Yes, I know I should let this go, but the thing is, I remember the day I picked up this book on a table in Barnes and Noble and it was those lovely Regency clothes that sold me on it...

Yet in the end, Rose is problematical to me. Firstly, the sheer self centered delusions indulged by her parents scares the shit out of me. That two adults could contrive to raise a boy as a girl is just wrong to me. I know in this day and age there are a lot of people who talk about wanting to raise their children gender neutral so that they can come into their sexuality on their own. Personally, I think this is bullshit. It takes awhile for children to become aware of things, just look to Rose for an example, and by at least not setting down for them the basics, well, you are going to get one f'd up kid, again, look to Rose. Children need to understand the world around them in order to find their place, wherever that may be. By taking away Rose's knowledge of the world around her with regard to her body, that's just so many levels of wrong. At least her father Geoffroy has some excuse, obviously being insane, but Anonyma, the cold calculated way she sees changing her child's sex as an experiment just makes me want to slap her so hard. While yes, this does lead to some amusing situations, in the end, I felt such sorrow and pity for Rose that at times the book became hard to read.

But the collusion to keep this lie up. Gaw, the rage in me. Personally, the fact that they were able to pull it off for so long makes me a little awestruck. I personally don't see how they did it. I liked that they mentioned that all paintings with genitals shown were hidden, because that was a problem I really had. How, in an English Country House, with the great artwork that is usually in said houses, were they able to keep Rose in the dark? The secluded environment helped, but still, how? Recent studies have shown that people in the 19th century weren't so repressed sexually as we like to imagine. Yes the book has Anonyma lecturing a young Rose on what is private and what is public, and never stripping or lifting of skirts... but still... how? Rose was raised with two other children and they never once lifted a skirt or whipped it out of their pants? That is giving those kids some amazing, I would say unbelievable restraint. Were they sewn into their clothes? Because that's the only way I see this happening, otherwise, I just don't buy it. And if I can't buy this, well, then the book has a major flaw... or shall I just say, it's a flawed book?

Picking Next Month's Book